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You don’t see the “MADE IN USA” stamp on
the back of the headstock very often, but Martin did use it
for a while on guitars that were exported, so be the first
on your block to own a ’51 D-28 with this rare headstock
stamp. Here’s the story: Fantastic straight-grained
quarter-sawn Brazilian rosewood on this one, and a tight-grained
top to match. Original finish throughout, with original tuners
and pickguard. The neck was reset and refretted some time
ago, and we don’t know by whom, but the new bridge (in
the original style) was recently done by Gryphon. Pickguard
crack beneath the B string as shown, and a repaired crack
that runs from the bridge to the tailblock. Tight 1 1/2 inch
hairline crack on the upper shoulder, bass side, that’s
impossible to photograph, other than that the back and sides
are crack free. The neck suffered a cracked headstock, as
shown, but the repair is tight and solid and has already delivered
years of trouble-free results. There was a strap button in
the heel cap, later removed, with a hole filled but still
showing. Finish is very good overall, but the neck finish
has some small blisters near the heel and is worn quite thin,
with wood peeking through along the edge of the fretboard,
especially in first position on the treble side. Very powerful
sound, ideal for the flatpicker with a score to settle with
a local banjo hotshot, but smart enough not to go to jail
over the dispute. The owner of this guitar will rarely, if
ever, be putting it back in the case only to hear “you
played some great licks, but we couldn’t hear you.”
| Back and Sides: |
Brazilian Rosewood |
| Top: |
Spruce |
| Neck: |
Mahogany |
| Scale Length: |
25.4" |
| Binding: |
White |
| Frets Clear of Body: |
14 |
| Tuners: |
Original |
| Case: |
Hardshell |
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